Liza Minnelli’s new Broadway show, “Liza’s at the Palace . . .,” opened on Wednesday at the Palace Theater. She is returning to Broadway for the first time in almost a decade.
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
Stephen Holden writes: "A pure entertainer like Ms. Minnelli — and there is none purer — is at once voracious and extravagantly generous. If you’re onstage 24 hours a day, you have no choice but to give life everything you’ve got."
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
"She moved mostly from above the waist, where her signature gestures were intact: an arm flung upward, a flutter of fingers frantically beckoning the audience to ‘come to the cabaret.’"
Photo: Photographs by Michael Falco for The New York Times
Photo: Photographs by Michael Falco for The New York Times
"As for movement, there were no kicks or even half-kicks, although Ms. Minnelli can still strut stealthily and sprawl across a director’s chair in sensual abandon."
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
"The director Ron Lewis’s choreography belongs to the vintage variety-show sort, but is stripped of clichés to the point that it transmits joy and enthusiasm to the audience like an electric charge."
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
"Ms. Minnelli’s stage philosophy, after all, comes from the perspective of someone who grew up in a show business bubble and may never have questioned that life is a never-ending performance starring oneself."
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
"The end of the opening-night show on Wednesday found Ms. Minnelli panting, drenched in sweat, her hair matted, as if she had just finished running the New York marathon, which in a sense she had."
Photo: Michael Falco for The New York Times
Photo: Michael Falco for The New York Times
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